The video of Samia Halaby is well worth watching, especially her comments about the stifling essentialism of being pigeon-holed as a ‘Palestinian artist.’

Palestine Square | ميدان فلسـطيـن

Tarek Al-Ghoussein

Photographer and photojournalist Tarek Al-Ghoussein, born in Kuwait in 1962, currently resides in the United Arab Emirates. His work is inspired by the both the prejudice and restrictions Palestinians confront not only in the West, but also the East. Self-Portrait (2002 – ), for instance, stages solitary individuals in a Keffiyeh in front of airplanes or ships. Initially the viewer might suspect foul play, but it’s obvious that the image is innocuous, and thus forcing the viewer to confront their reflexive suspicion of Keffiyeh-clad Middle Easterners. Sometimes life mimics art: In 2003, Al-Ghoussein was accosted by a Jordanian police officer while taking a self-portrait in a Keffiyeh. A 22-hour interrogation followed. “What was I doing, who was I, why was I wearing the Palestinian scarf, why that particular scarf—not the red scarf or the other type of black scarf? And it just made me realize how charged that scarf…

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